I wish just to recall some influences on Kafka’s Amerika. This novel introduces the wanderings of a young boy, Karl who’s thrown out from home due to his “affair” with the maid. Karl arrives to America alone with a small suitcase and nothing else than his wit to survive. He lives one experience after another, each one more curious than the previous, and meets all kind of people who actually decide his new course. Kafka wrote on his diary on October 8, 1918:
“Dicken’s Copperfield. “The Stoker” a sheer imitation of Dickens, the projected novel even more so. The story of the trunk, the boy who delights and charms everyone, the menial labour, his sweetheart in the country house, the dirty houses, et al., but above all the method. It was my intention, as I now see, to write a Dickens novel, but enhanced by the sharper lights I should have taken from the times and the duller ones I should have got from myself”.
In fact, the adventures of Karl remain the reader Dicken’s boys in the Victorian England. Karl solitude to face all his misfortunes are similar to those of English 19th C. novels. However, if Copperfield ascends in wealth and social position, Karl actually descends (as far as we know in the novel; it’s unfinished). The figure of the wandering boy is also linked to this of the Spanish “pícaro”. The latter could actually be seen as a predecessor of those of the realistic period. The poor origin and the longing for ascending are common in both groups, but I think the cunning of the “pícaro” is something missed both in Copperfield and Karl. However the three types find themselves submitted to different authorities until achieving autonomy or more freedom.
Karl is settled in New York, which I find quite properly for the beginning of the 20th C. New York is the new alienated place of modernity where both fortune and misfortune are possible and dependent to the subject’s sagacity. In short, I think Kafka has placed himself also in the Western tradition of the young wandering born in Spain.