In The Trial, women configure a particular atmosphere in a mainly masculine world. Joseph K. appears as an isolated male figure, naive and innocent paying punishment for a Law of a very patriarchal structure and hierarchy. There are only men in the judicial system while women stand on marginal positions around the core of the Law. They constitute a sort of borderline between the Law and the accused; they are at the same time inside and outside the system. Thus, they are ambiguous characters, at least unfaithful because of such ambiguity. Unfaithful for both those who are inside the system and those who are outside it. This characteristic is expressed through their promiscuity, that is, through sexuality which is properly what defines them. Indeed, they are highly sexualised beings and their sexuality is always involved in helping the accused. They are mainly prostitutes as their mode of interchange is always physically: they obtain favours from the Court members in exchange of their bodies. Its use is what their master overall.
Women, as a figure bordering the Law, suggest the idea of entrance which is related to the sexual body. The man who wants to go inside the Law -in this case Joseph K.- should penetrate the threshold. In fact, Joseph K. refuses any complete sexual encounter with the nurse or the washerwoman and he loses their respective help. Joseph K. does not pay the price to be helped and his attitude contrasts with the “sexualised woman”; his virility is diminished. Kafka’s male characters are usually confronted with sexualised women and they are unable to master the situation. Men use to be shy or “sexually inferior” than women who are very self-confident. Kafka inverts the classical Western gender roles. It is possible to see how these women cause confusion in the main male characters who find themselves overcame by the situation.
The inability of male characters to engage with sexual matters is present through the whole Kafka’s work. Women are presented as inaccessible or unmastered. They can appear as strongly independent, manipulative, funny and sexualised. However, in some cases, the figure of the mother appears as a sexless and helpful woman even if her good intentions are always cast off by a male authority.