In 1928 Virginia Woolf was concerned about women, money, and writing. Her essay A Room of One’s Own is an attempt to analyze the situation of female writers through the history of literature, and to figure out why they are far less in number than men. Even if for many the reasons concerning such situation could appear clear enough, there is one particular reflection in Woolf’s thoughts far from being solved, even thought of, eighty years later she put it into words.
Among the women writers Woolf cites Jane Austen is one of the most acclaimed by her. It is not because of being better than, for example, Charlotte Brönte, but because of the mode in which she wrote, that is, completely free from male conventions. In fact, Woolf is looking for something purely feminine, a mode of being in the world as a woman, not as a woman according to a patriarchal society, which is still where we still live. “The book has somehow to be adapted to the body”, that is an interesting statement, and it shows how Woolf was thinking about the essence of being woman or man and their corresponding artistic expressions. She was not so far from Barthes’ The Semiotic Challenge or The Pleasure of the Text considering the writing as adapted to the author’s mind or physical expression; at the very least, as a living entity. This self-expression is what Woolf found in Jane Austen and not in other female writers:
“They [Jane Austen and Emily Brontë] wrote as women write, not as men write. Of all the thousand women who wrote novels then, they alone entirely ignored the perpetual admonitions of the eternal pedagogue -write this, think that. They alone were deaf to the persistent voice, now grumbling, now shocked, now angry, now avuncular, that voice which cannot let women alone, but must be at them, like some too-conscientious governess, adjuring them”
It is exactly that which gives freedom to a woman to be a woman, instead of trying to put oneself within the male paradigms in order to be accepted or considered. The book should be adapted to the body, and it can be applied to other realms of the existence. That is what part of Feminism has lost: her own body. Instead of it, it has been the male body what has been defended every time some woman has tried to become a man. Part of the results from Feminism in the Twentieth Century have been to adapt the woman to a male society, instead of adapt society to the female body.
OpenEdition suggests that you cite this post as follows:
Aina Marti (May 2, 2013). Still Something to do. For there she was... Retrieved February 14, 2025 from https://doi.org/10.58079/rj6k